Hey there! Brian Dys here — I’m a visual and visceral person at heart. Ever since my mom lent me her old film camera, I fell in love with photography. All of my creative musings were exemplified by my second brain, the computer. This journey is a topsy-turvy ride of creative pursuits — from electronic music to UX design.
I enjoy every dull and wild moments of it — yes, this life of mine that I share with a woman named Jaycelle and a boy named Bryce. Take a peek into my kaleidoscope!
It was more than 10 years ago since I bought a Swatch watch called Something New. It was tiny classic black and white watch that had a plastic strap that cost one-third of the watch’s original price (and it breaks every year, the strap). This is what really deterred me from buying from Swatch. Metal and leather straps were me when I was 14 years old but not anymore. Durability and style require delicate balance.
After that, I switched to Casio, with another classic — an F-91W which is a cheap ₱999 watch whose strap also breaks — but this time, every six months. Again, the strap cost a third of the original price. After around 3 strap replacements, it is now again in a brink of breaking. Planned obsolescence for “bottom-of-the-line” products — these watch makers have perfected a ploy.
Just a couple of days ago, I couldn’t leave the mall without taking home this greenish-looking watch called We in the Khaki Now. With it, I partnered another watch for Jaycelle as a surprise — Sunblush (Swatch has a really fun way of naming their watches).
Of course, after eyeing these two awesome watches, my first question for the salesperson was, “What kind of straps do they have?” I was glad not to hear “plastic” or “rubber” — but “silicone“. It’s time to give it another try.
When I got home, I searched for more information regarding the straps and found out that We in the Khaki Now has a “bio-sourced material” strap. I just hope that this time the straps would last for years.
In a perfect world the importance of information wouldn’t rely on its author’s eloquence. But we live in a world where people are bored, impatient, emotional, and need complicated things distilled into easy-to-grasp scenes.
One of the things he taught me early on was make reversible decisions quickly and irreversible ones deliberately, and I still return to that on a weekly basis. If it’s a reversible decision we’ll probably learn a lot more by doing it.
Last month, I’ve wrapped-up with the 4th part of a talk that I’ve shared with the UX design team: Documenting your work as a designer. This topic tackles the other side of design work (and any work, in general), which is documenting your experiences and learnings from projects.
Part 1: The whys and hows – anchor the documentation activity on a purpose
Part 2: The process – making sense of the documentations and keeping them meaningful
Part 3: The case of the briefcase & showcase – curations
Part 4: The work – getting your hands dirty
The talk goes from abstract concepts towards concrete steps in starting a portfolio curation. What each of us actually produced were our top 3 highlights of last year.