
đź‘‹ Oi, mga repapips, Brian Dys here! I love music, photography, and creative stuff like UX design and art. This is a place where I collect my thoughts and works. Apart all these, I’m Jaycelle’s better half and Bryce’s dad. 🥰
How about applying the DRY Principle in a user interface?
One method is by using a single element to have multiple functions. In the case of a <label> and a placeholder attribute in a <form>, we could simply use the <label> to be the only label of a particular field—as opposed to having two.
Besides, their main functions are to tell the user what field it is and what it expects as a user input—so why not optimize it?
Regarding its accessibility, please read an 2010 article from WebAIM and a recent one from Smashing Magazine.
Here’s a quick PoC. Try focusing on a field and see the label move.
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Ideally, it is 48 x 48 pixels. However, there are elements that needs to be smaller in relation to other elements with it—with this consideration, we could go down until 32 x 32 pixels.
In order to show cohesion and relation between two UI elements, we could use proximity—place the element near each other. However, when there are more important considerations like if space won’t permit one element to be there, we could use motion to cue that those two elements belong together.
The elements in relation to the user’s “now”.
Elements that are there only when you need it and also there when you thought you didn’t need it.
Numbers 3 and 4 fall under Relevance.
The outcome most teams are aiming for is a change in behaviour. The outcome you want will depend on your business or organisation: it might be selling more dog food, getting people to sign up to a monthly donation to your charity, or opting for mediation over court in their separation. Source
When deciding the number of characters an item could have, consider thinking about it being in other platforms.
There could be two approaches in defining elements in a User Interface (UI):
Say, for example, we have a blog post that has a date. In order to define what kind of date it is, we could either define it in a sentence:
or we could define it thru a label:
Please note that in order to create an effective description that communicates its purpose, we have to identify the context in which the element is in.
What kind of content are you presenting?
Take a look at Facebook feed and Pinterest feed.
Facebook feed presents a variety of content—text, images, videos whose purpose are to update the users of current events and happenings in their friends’ lives.
Pinterest feed, on the other hand, presents content heavy on images—eye candy if you may.
So for timely content like news, it’s best to present it linearly (single–column) beginning from the most relevant and recent.
For content meant to be browsed or scanned, it’s best to present it all at the same time (multi–column), of course also beginning from the most relevant to the user.
Relevance is key.
Warning: Spoiler Alert!
The most memorable part of the movie for me was when Lou went into the bathroom to pour his overflowing emotions upon knowing that he got the job. He won the jackpot that he did an Elvis and a Rocky.
I sensed a familiarity with this scene because I once lost a job and thought it’s the world’s end. Yet my mom simply laughed it out. It made everything bearable. All hope and confidence were restored upon landing another job.
All families got problems but you only got one.
Lou Wheeler
A part of the past or part of one man’s wild imagination? What started from a cataract–laden pair of eyes ended with a murky story of drugs, sex, and overcoming all sources of addiction with the pure power of the mind and willpower.
It’s just another morning to the office I thought as I rode my Grab. At the gate, our resident guard who’s got something in his eyes caught the eye of my Grab driver.
“I got a friend who’s got white in his eyes just like that guard,” he said pointing back at the guard as we joined in with the vehicles along the road.
“He reads text like this,” holding up an imaginary phone touching his nose, close to his eyes.
Conversations with drivers keep me occupied throughout the ride and I would assume that it’s the same for them. Topics were commonly about their history of driving—from being family drivers to driving Grab for a living. Topics that are not too personal for a conversation with a stranger.
A few times, conversations would turn into story–telling of a colorful part of their lives. Strange conversations.
“They got lots of money before. He’s dark–skinned that’s why he really likes a lot of gold jewelries all over his body—him and his father. Now I just command him around,” he said in jest.
“His sister worked in Japan and had a Japanese partner, that’s why,” he explained about the origin of the guy’s riches.
“They’ve got several branches of Tatsuya, a Japanese surplus shop. They’ve got three cars. Now, all those are gone ever since his sister was left by her partner,” he continued.
“Back in her early days in Japan she was beautiful. Now, her belly’s popping out of her shirt you wouldn’t recognize her,” he blabbered.
“Tough luck for them, they are all dimwits,” he said as if the guy’s family only knew how to spend money.
“They weren’t able to invest in anything?” I asked.
“Well, hands down. Their house is gorgeous. Until now, it’s the best in our street. But inside, you won’t find anything,” he answered.
“Too bad he and his brother got into drugs,” he said, casting a new light into this character.
I looked at him at the rearview mirror. My head nodding with occasional “uh–huhs” while listening. This story was getting deeper as I get closer to my destination.
I was amused by the flow of his stories, I admitted.
—
On the next part—drugs and plenty sex—from our driver–host this sunny morning of Friday.